Spring and summer 2027 dates are open. Trials are scheduled from January.

Check your date
Cloud Parlor Bridal Makeup
A bride in a white gown having her makeup finished beside a window on the morning of her wedding

Studio & On-Location · Trials by Appointment

Cloud Parlor

Makeup built for a long wedding day, not a single photograph

We work skin first: prepared, balanced, then built up only as far as the look needs. One artist stays with you from the first base to the last blot before you leave the room.

Enquire about your date See services & prices
Where we work
Your room at the venue, a family home, or the studio for trials.
Party size
Bride plus up to seven. A second artist joins above four.
Season
April to October books first. Winter dates stay flexible longest.

The Studio

A quiet chair, a short kit, and a finish you recognise

Cloud Parlor is a two-artist bridal studio. We keep the kit deliberately small — the shades and textures we trust under daylight, tungsten and flash — and we spend the saved time on skin.

Most of what makes bridal makeup last happens before any colour goes on. Cleansing, a warm compress, a treatment oil worked in slowly, then a base chosen for how your skin behaves by mid-afternoon rather than how it looks at nine in the morning. Powder goes only where it is needed.

We do not work from a house look. At the trial we photograph each stage on your phone and on ours, note the shades on your record card, and send that card to you so nothing has to be remembered on the day.

Noor & Tess Artists, Cloud Parlor

A set of makeup brushes and open palettes laid out on a cloth beside a mirror in a makeup studio
The travelling kit, reset and sanitised between every booking

Wedding Morning

How the morning is sequenced

A worked example for a two o'clock ceremony with a bride and four in the party. We send you a version with your own times once the running order is confirmed.

  1. 7:30Arrival

    Set up and look at the light

    We need a table, a plug and a window if there is one. Ten minutes to lay out, check the room's light against your trial notes, and agree the order of the party with whoever is keeping time.

  2. 7:45First chair

    Party makeup begins

    We start with anyone leaving early — a reader, a parent, someone travelling separately. Each person takes about forty minutes. Hair and makeup can run side by side if your stylist is happy to alternate.

  3. 10:15Skin prep

    Your preparation starts

    Twenty-five minutes of cleansing, compress, massage and treatment before anything else. This is the part people are tempted to cut, and the part that decides how the base sits at six in the evening.

  4. 10:40Bridal

    Base, eyes, and the slow build

    Ninety minutes with breaks. We work in daylight, step back often, and check two photographs — one with flash, one without — before setting anything.

  5. 12:10Dressing

    Into the dress, then final checks

    We stay through dressing so nothing transfers to the neckline. Lip is laid down last, after the dress is fastened and the veil is in.

  6. 12:40Handover

    Touch-up kit and a final pass

    You keep a small tin: your lip, blotting papers, a pressed powder in your shade and a cotton bud. We show one person in the party how to use it, then leave you an hour clear before photographs.

If your ceremony is earlier than eleven, we shift the whole sequence back and usually bring a second artist rather than ask anyone to start before six.

Services

Priced per person, per date

Prices include skin preparation, lashes where they suit the look, and the touch-up tin. Travel beyond an hour from the studio is added as a single line on the quote, not per head.

On the day

Bridal makeup from £260

Full preparation, base, eyes and lip with ninety minutes in the chair, dressing cover and a touch-up tin.

Wedding party £85 each

Forty minutes per person. Lashes included if wanted. Grouped into the morning order you give us.

Parents & close family £70 each

A lighter, shorter sitting built around glasses, mature skin and a long day of greeting people.

Second artist £190

Added automatically above four in the party, or any time the running order is tighter than four hours.

Evening change £120

We return before the first dance to rebuild lip and eye and take the base back down to comfortable.

Before the day

Bridal trial £110

Two hours at the studio. Two directions tried, photographed in three lights, with a written record card to keep.

Second trial £70

Useful if your dress, hair or season changed after the first. Most brides do not need one.

Skin plan £45

A short consultation twelve weeks out: what to keep, what to stop, and what not to start before a wedding.

Engagement or pre-wedding shoot from £160

Built for a camera rather than a room. Lighter base, stronger structure, matte where the lens needs it.

Lesson for the night before £95

Ninety minutes learning to do your own for the rehearsal dinner, using what is already in your drawer.

Dates are held for seven days while you decide, then confirmed with a signed outline and a deposit that comes off the final balance.

Lookbook

Four finishes, and what each one is actually doing

Not styles to choose from a list — these are the four directions most trials end up somewhere between.

Close view of a bride wearing a sheer veil over softly finished skin and a neutral lip
Clear skin, nothing else Sheer base, cream blush, groomed brow, balm lip. Reads as skin in person and still holds under a photographer's flash.
A bride holding a bouquet, wearing defined eye makeup and a warm satin lip
Defined eye, quiet lip Soft matte socket, a tightline rather than a wing, individual lashes. Built for brides who want their eyes to carry the look.
A bride seated in a bright room while an artist finishes her makeup before the ceremony
Warm and lit Cream bronzer through the temple, a high gloss on the eyelid, lip stained then blotted. Suits outdoor and late-summer light.
Bridal cosmetics including lipsticks and a compact arranged on a pale surface
Full colour, properly set A true red or berry lip, matched base, structure in the cheek. Laid down in layers so it survives eating and kissing.

Kit & Technique

The practical specification

The things worth comparing between artists, written plainly.

Wear time
Built for twelve to fourteen hours including dancing. Lip is the only element designed to be refreshed by you, which is why the tin exists.
Photography
No pure white or heavily silica-based powders, no SPF under the base on the day. Everything is checked with a flash photograph before it is set, because flashback only appears on camera.
Shade range
Forty-two base shades across three undertone families, mixed on the back of the hand rather than matched from a bottle. Deep shades are stocked to the same depth as light ones.
Skin preparation
Cleanse, warm compress, treatment oil or essence, then a base chosen for your skin's behaviour at hour eight. Twenty-five minutes for the bride, ten for the party.
Sensitivity
Fragrance-free options throughout and a patch test at the trial if you ask. Tell us about reactive skin, lash adhesive history or recent treatments and we work around them.
Hygiene
Brushes washed and dried between bookings, disposables for lip and mascara, palettes decanted rather than dipped. Powder products sanitised at the start of every date.

Questions

Asked at almost every trial

If something here is not covered, put it in the notes box below and we will answer it before you commit to anything.

Do I need a trial, and when should it be?
A trial is strongly recommended and best placed six to ten weeks before the wedding — close enough that your skin and hair colour are similar, far enough that there is time to change direction. Bring a photograph of your dress neckline and, if you can, do it on a day you are going out afterwards so you see how it wears.
How many people can you prepare in one morning?
One artist comfortably handles a bride plus four. Above that we bring a second artist so nobody starts before six in the morning and nothing is rushed at the end. Eight in total is our limit for a single date, because past that the quality of the last chair drops.
Do you travel to the venue or work from the studio?
Wedding mornings are almost always on location — your room at the venue or a family home. Trials, lessons and shoot preparation happen at the studio where the light is controlled. We travel within about ninety minutes without a surcharge; further than that we quote a single travel line, and for very early or very distant dates we may ask to stay nearby the night before.
Will this look right in photographs and on film?
That is the main constraint we design around. We avoid white-based powders and SPF under the base on the day, keep highlighter off the areas a flash catches hardest, and photograph each stage with and without flash during the trial. If your photographer uses heavy off-camera flash or you are being filmed, tell us and we adjust the setting products accordingly.
What should I do with my skin in the weeks before?
Mostly keep doing what already works. Stop starting new actives twelve weeks out, book any facial or peel no later than four weeks before, and move waxing or threading to at least five days ahead. Drink water and sleep, which is dull advice but visible in the base. The skin plan consultation covers your specific routine if you want it looked at properly.
How do you match foundation across different skin tones?
By mixing rather than picking. We carry forty-two base shades in warm, neutral and olive-to-cool families, stocked to the same depth range across all of them, and blend two or three on the back of the hand against your jaw in daylight. Depth, undertone and how much your skin shifts with sun are all noted on your record card so the day matches the trial.
Can you cover tattoos, scarring, rosacea or pigmentation?
Yes, and we would rather plan it than improvise. Tattoo and scar cover uses a different, heavier product that needs its own time slot and a patch test — tell us at enquiry so it goes into the morning schedule. Rosacea and pigmentation are usually handled with colour correction under a sheer base instead of extra coverage, which looks far better in person.
What happens if our date moves?
We transfer your deposit to a new date within eighteen months at no extra cost, subject to that date being free. If it is not, the deposit is refunded. Postponements happen often enough that we keep the arrangement simple and put it in writing in the outline you sign.

Availability

Tell us the date and we will tell you what the morning looks like

You will get a reply with availability, a provisional running order and a per-person quote. No deposit is asked for until you have all of that in writing.

  • Reply time — within two working days, including a yes or no on the date.
  • Then — a short call or email exchange about the running order.
  • To confirm — a signed outline and a deposit that comes off the balance.

The more detail here, the more useful the first reply will be.

We use what you send only to answer your enquiry.